LOS ANGELES, CALIFORNIA: As of now, Jessica Lange's net worth stands at $20 million, according to Celebrity Net Worth. She initiated her career with the 1976 film 'King Kong' and has since undertaken significant roles in numerous films and a few TV shows.

Jessica believes her time in the film-making industry may be coming to an end, citing her perception that "corporate profits have taken precedence over creativity."

In a recent interview with The Telegraph, the Academy Award-winning actress delved into her passion for photography, experiences of loneliness, discomfort with fame, and her belief that the industry has evolved in a way that is less favorable for performers.

The rarity of exceptional films

Lange, renowned for her roles in 'King Kong' and 'Blue Sky,' expressed her view that truly exceptional films crafted by talented directors, featuring compelling stories and characters, have become increasingly rare.

Consequently, she is contemplating a gradual exit from the world of filmmaking. She candidly told the UK publication, "I think I’m going to start phasing out of filmmaking."

When asked to clarify if this meant she was actively considering retirement, the 'Tootsie' actress affirmed, "I am." She elaborated, "I don’t think I’ll do this too much longer," citing her belief that the pursuit of corporate profits has overshadowed artistic creativity.

Corporate profit over art

Lange, a star of 'American Horror Story' and a Golden Globe winner, criticized the contemporary movie-making industry, suggesting that it has shifted its focus away from art, artists, and storytelling.

Instead, it appears to prioritize the satisfaction of shareholders, a trend that she believes diminishes both artists and the art of filmmaking.

The actress singled out "large comic-book franchise films," which she personally finds uninteresting, as examples of the projects that have sacrificed artistic integrity for profit.

Additionally, Lange expressed her frustration with the modern trend of "frantic editing" in films, a departure from her previous experiences where the camera would linger on an actor's performance.

She speculated that this approach might be rooted in the belief that modern audiences have shorter attention spans, a filmmaking style that she finds vexing.