It appears that Saweetie has taken her latest fashion inspiration from the Stone Age. On 12 September, the “Best Friend” rapper attended the 2023 MTV Video Music Awards (VMAs) in a pink, sequin gown featuring a halter neck and her hair pulled back into a sleek pony. However, it was the two oversized bones attached to the dress that seemed to capture everyone’s attention. As she posed for photos on the “pink” carpet outside the Prudential Center in Newark, New Jersey, one bone appeared to be tied to her collar, while the other was tied at the waist. The unique dress first debuted in Area’s Fall Winter 2023 collection, which contained several designs full of bones, fur, and animal patterns. While hosting the MTV VMAs pre-show, Saweetie - whose real name is Diamonté Quiava Valentin Harper - explained the reasoning behind her eye-catching look. “The inspiration behind this is fashion when it first started: Cavemen,” she said. Saweetie also appeared to be having fun on the red carpet with her caveman-inspired dress, even kissing the bone in one photo. However, it wasn’t just the “ICY GRL” singer who joined in on the fun. In fact, many people took to X - formally known as Twitter - where they cracked jokes about Saweetie’s VMAs look. Unsurprisingly, a number of awards show viewers compared the rapper’s outfit of choice to something from The Flintstones. “Saweetie looks like a Flintstone,” joked one person on X. “Is she wearing the Fred Flintstone collection?” said someone else. “Are the VMAs being held in Bedrock?” a third user wrote. Despite some critics, many fans still complimented Saweetie’s caveman-inspired outfit. “Saweetie look like a Icy Flintstone,” said one user. “I loveeeee her #VMA”. “Saweetie looks soo cute I love her makeup,” another fan wrote. In addition to Saweetie, there were many other memorable fashion moments at this year’s MTV VMAs. Doja Cat wore a barely-there, white Apocene dress that closely resembled spider webs. Her look featured sparse, white fabric draped across her body, with a pair of nude underwear hidden underneath the ensemble. Meanwhile, VMAs host Nicki Minaj took wedding fashion to a whole new level when she arrived in a pink, corset bodysuit with a sheer, lace skirt and a dramatic vail. Taylor Swift leads this year’s nominees with eight nods, followed closely by “Kill Bill” singer SZA, who holds six nominations. Doja Cat, Kim Petras, Miley Cyrus, Nicki Minaj, Olivia Rodrigo and Sam Smith are tied at five nominations, and BLACKPINK, Diddy and Shakira each received four. The full list of VMA winners can be found here. Read More 2023 MTV VMAs: The best-dressed stars on the red carpet, from Olivia Rodrigo to Doja Cat 2023 MTV VMA winners list in full – live updates Taylor Swift is channeling her Reputation era in stunning black dress at 2023 MTV VMAs Taylor Swift is channeling her Reputation era in stunning black dress at MTV VMAs 2023 MTV VMAs: The best-dressed stars on the red carpet Cardi B wears dress made entirely of hair clips on 2023 VMAs red carpet

Taylor Swift showed up for the 2023 MTV VMAs decked out in a stunning black gown with a thigh-high slit. On Tuesday 12 September, Swift, who is nominated for multiple awards, arrived on the pink carpet at the Prudential Center in Newark, New Jersey, for the awards ceremony. For the occasion, she opted for a black, floor-length Versace dress with ruching and gold button details. She paired the look with multiple necklaces and a low updo. Fans were excited by Swift’s all-black ensemble, saying that it was Reputation inspired. One fan wrote on X, formerly known as Twitter: “DJ please play dress by Taylor Swift (Reputation Taylor‘s version).” Someone else commented: “NO THOUGHTS JUST TAYLOR SWIFT IN A BLACK DRESS WITH A SLIT.” Tonight, the pop star is leading the 2023 VMA nominations with 11 noms, including three in social categories. Swift is up for Artist of the Year, Video of the Year for “Anti-Hero,” Song of the Year for “Anti-Hero,” Best Pop for “Anti-Hero,” Best Direction for “Anti-Hero,” Best Cinematography for “Anti-Hero,” Best Editing for “Anti-Hero,” and Best Visual Effects for “Anti-Hero.” At the 2022 VMAs, Taylor Swift showed up dripping in diamonds. That night, she notably took home the most awards at the VMAs. She won the Video of the Year, Best Long-Form Video, and Best Direction for “All Too Well (10 Minute Version) (Taylor’s Version).” Swift also made history that night as the first artist to win Video of the Year three times, a huge record to hold. Her other winning videos include “Bad Blood” and “You Need to Calm Down”. Read More 2023 MTV VMAs: The best-dressed stars on the red carpet, from Olivia Rodrigo to Doja Cat Taylor Swift and Ice Spice react with shock to NSYNC reunion at 2023 MTV VMAs Lance Bass gifts Taylor Swift friendship bracelets while presenting her award at VMAs: ‘Cutest thing ever’ Lance Bass gifts Taylor Swift friendship bracelets at VMAs: ‘Cutest thing ever’ Olivia Rodrigo shuts down rumours that she’s feuding with Taylor Swift Cardi B wears dress made entirely of hair clips on 2023 VMAs red carpet

Cardi B has made a fashion statement on the 2023 MTV VMAsred carpet with a dress made entirely of silver hair clips. On Tuesday 12 September, the “WAP” singer arrived on the pink carpet at the Prudential Center in Newark, New Jersey, ahead of the annual awards show. For the occasion, Cardi B chose a floor-length, strapless silver gown by Dilara Findikoglu, which, upon closer look, was found to be entirely covered with silver hair pins and pearls. Cardi B paired the embellished dress with matching arm cuffs, which also featured the hair accessory. She completed the look with a sleek and straight hairstyle that was parted down the middle. While walking the pink carpet ahead of the awards show, which celebrates the best music videos and artists of the year, Cardi B opened up about her creativity when it comes to her fashion choices. “I’m a creative. I have to be creative with everything, with my clothes, with my pictures, everything. My visions have got to come to life,” she told MTV. On social media, the unique dress proved to be a hit with fans, with one person tweeting: “Cardi stuns as always,” while another said: “This is such a cool look omg.” In addition to taking to the stage as a performer during Tuesday night’s ceremony, Cardi B is also nominated in the category of Best Hip-Hop video for her collaboration with GloRilla on “Tomorrow 2.” Read More 2023 MTV VMAs: The best-dressed stars on the red carpet, from Olivia Rodrigo to Doja Cat Olivia Rodrigo wows in sparkly silver gown on the 2023 VMAs red carpet: ‘She did it again’ Selena Gomez returns to the VMAs red carpet in red gown for first appearance since 2015

Olivia Rodrigo has sparkled in a silver gown on the 2023 MTV VMA’s pink carpet. The “Vampire” singer arrived at the award show ceremony in a crystal-covered , floor-length liquid silver Roger Vivier gown that sparkled in every direction. Rodrigo’s appearance marks the Disney Channel alum’s first award show appearance since the recent release of her sophomore album, Guts. During this album cycle, the singer has aimed for sleeker, more glamourous looks that are definitely turning heads among her fans. She paired the dress with her hair worn pin straight and parted down the middle, choosing the soft glam look that she usually gravitates toward. She accessorised the look with a nod to her album cover with a couple of rings that spell out “Guts.” Viewers were collectively in awe of Rodrigo’s showstopping look. One fan wrote X, formerly known as Twitter: “The queen! She is dazzling!” “Olivia Rodrigo the princess that you are,” someone else wrote, comparing the singer-songwriter to Ariel in the ending scene of the animated version of Disney’s The Little Mermaid. A third commented that Rodrigo “is not playing this era”. Rodrigo’s fans aren’t the only ones excited to see her make an appearance at the VMA’s, as K-pop group Stray Kids said that the musical act they’re looking forward to seeing the most is Rodrigo. “We would really like to see Olivia Rodrigo,” group member Bang Chan told Entertainment Tonight host Rachel Smith. Read More 2023 MTV VMAs: The best-dressed stars on the red carpet, from Olivia Rodrigo to Doja Cat Selena Gomez returns to the VMAs red carpet in red gown for first appearance since 2015 MTV VMAs: Most iconic outfits of all time, from Lil’ Kim to Lady Gaga

A ceremony notorious for its shocking on-stage moments and outrageous red carpet looks, the MTV Video Music Awards, otherwise known as the VMAs, will take place on Sunday 30 August. But, due to the ongoing coronavirus pandemic, this year will be unlike any other. The event, which celebrates the best music videos of the year, was originally set to air live from Barclays Centre in Brooklyn, but those plans have since been scrapped. Instead, the show will consist of various live outdoor performances across New York City from artists including Ariana Grande and Miley Cyrus, which will all be streamed online and presented by Scream Queens and Hustlers star Keke Palmer. While little else is known about the details of the ceremony, one thing viewers can be sure of is that there will be plenty of show-stopping looks to enjoy. According to direct messages shared by fans on Twitter, the VMAs is planning on having a formal red carpet of some kind, but in what capacity it will take place is uncertain. Since the first ceremony in 1984, the VMAs has delivered some iconic outfits aplenty, ranging from the truly show-stopping to the downright bizarre. Over the years, we have seen Lady Gaga arrive in a dress made out of meat, Katy Perry pay homage to Britney Spears and Justin Timberlake’s double denim moment, and Lil’ Kim wear one of the most famous body-baring jumpsuits of all time. Click through the gallery above to take a look back through the most memorable and iconic looks to have ever graced the VMAs red carpet. Read More Fashion experts pick the essentials you need for your staycation

In 1953, Gabrielle “Coco” Chanel reopened her couture house after a 14-year hiatus at the age of 70. “Why did I return?” the legendary fashion designer later posited in an interview with Life magazine. “One night at dinner, Christian Dior said a woman could never be a great couturier.” It’s a quote that perfectly captures everything Chanel represents to this day, more than a century after she opened her first millinery shop in Paris in 1910. It also happens to be nestled in the enormous boarded timeline of the designer’s life that greets visitors to Gabrielle Chanel: Fashion Manifesto, a major retrospective of the French couturière’s work, at the Victoria and Albert Museum in London. Marking the first time that a UK exhibition has been dedicated entirely to Chanel, it charts the designer’s humble beginnings in the Loire Valley of France through to the establishment of her eponymous brand and the evolution of her creations throughout the years. Incorporating gowns, suits, jewellery, fragrances and accessories, the exhibition features more than 50 of the designer’s famous tweed suits alongside several fragile pieces usually stored deep within the belly of the V&A’s archive. “We were very aware of the classic things people know about Coco Chanel,” says curator Connie Karol Burks, referencing the designer’s famous little black dresses, the 2.55 handbag and her tweed suits. “We really wanted to spotlight much more of what she contributed to fashion, and a bit more of her approach to designing clothes, like her need for comfort, simplicity and freedom of movement.” It’s a modality easily expressed from the start of the exhibition, the entrance to which is a subtle, black, perfume-like box on the ground floor (the museum’s usual rotunda-like fashion space is currently occupied by its Diva exhibition). When downstairs, visitors may be surprised to find flowing frocks fitted with bows and pockets from as early as the 1930s. “She was an active independent woman, primarily designing for herself,” explains Karol Burks. “These were practical and elegant clothes.” Practicality, as we soon learn, was an integral part of Chanel’s oeuvre. The exhibition celebrates the designer’s penchant for streamlined garments, clothes that rejected the stiff and restrictive aesthetics that had defined women’s wear just a few years earlier. It also includes details of her deep connection to Britain, including her friendships with figures from high society. While staying at the respective homes of Winston Churchill and the Duke of Westminster, Chanel embraced British sport, which is thought to be how the corresponding aesthetics of tweed and knitted jerseys found their way into her collections. Also included here is a sketch of Chanel painted by Churchill while the two were staying at the Duke of Westminster’s Scottish retreat in 1928. “Coco is here,” he wrote to his wife at the time. “She fishes from morn till night, & in two months has killed 50 salmon.” Elsewhere, highlights include the Chanel “Ford”, the name given to the designer’s little black dress that became a global staple for women everywhere. There are evening gowns aplenty, and an optic-white room entirely dedicated to the creation of the designer’s iconic perfume Chanel No 5, as well as an oval-shaped section devoted to Chanel’s tweed suits, with two rows of them spanning the curve of the room. As has already been reported, the exhibition also doesn’t shy away from Chanel’s controversial wartime activities. It features previously unseen documents illustrating evidence of her collusion with Nazis during the Second World War, while also, confoundingly, unearthing evidence that indicates she was a member of the French resistance. “It’s such a complex thing to get your head around,” says Karol Burks. “We felt it was important to have it in the exhibition and to display those original documents. But they almost give more questions than answers.” Unlike the V&A’s Dior exhibition, which charted the brand’s existence beyond the life of its founder, the Chanel retrospective ends with the designer’s death in 1971. Given the label’s extensive history in modern culture, perhaps this makes sense: there’s only so much you can squeeze into one show. But in many ways, it is a limitation that produces a lingering sense of intrigue around the designer herself. “Despite there being over 175 biographies [of Chanel], she’s still being written about and new information is still coming to light,” Karol Burks adds. “I don’t think anyone has quite pinned down who Gabrielle Chanel was. The more you learn about her, the less you know.” ‘Gabrielle Chanel: Fashion Manifesto’ runs from 16 September until 25 February at London’s Victoria & Albert Museum Read More Loved in triangles, dressed for liberation: The queer fashion secrets of Virginia Woolf and the Bloomsbury Group Young people not snowflakes or wasters, says curator of rebellious fashion exhibition Pharrell Williams designed his first collection for Louis Vuitton for himself

Selena Gomez has stunned in a show-stopping red dress as she marks her return to the VMAs red carpet. Gomez’s appearance at the 2023 MTV VMA’s is a delightful treat for fans since she hadn’t publicly announced that she would be attending, but her showing up in style is far from a surprise. The “Single Soon” singer is up for not only Song of the Year, but Collaboration of the Year, and the Best Afrobeats VMA Awards. The last time the star attended the VMAs was back in 2015, when she was nominated for Song of the Summer for her collaboration with A$AP Rocky on “Good For You.” Gomez also performed “Same Old Love” from her hit album Revival and hung out with one of her longtime best friends Taylor Swift throughout the evening. The Only Murders in The Building actor may be adding a few more trophies to her collection tonight for her international pop hit with Rema for “Calm Down.” Photos posted to X, formerly known as Twitter, showed Gomez posing with fans outside of the awards show, which is taking place at the Prudential Center in Newark, New Jersey. She also posted a video on Instagram of her singing the song along the way to the event. Of the song, Rema told Pitchfork, “‘Calm Down’ is about the events that led me to finding love at the time”. The song resonated with listeners worldwide, and ultimately led to it becoming a contender for one of the most coveted awards of the night. Read More 2023 MTV VMAs: The best-dressed stars on the red carpet, from Olivia Rodrigo to Doja Cat MTV VMAs: Most iconic outfits of all time, from Lil’ Kim to Lady Gaga What time does the 2023 MTV VMAs start and how to watch?

The 2023 MTV Video Music Awards (VMAs) have arrived, and the stars are pulling out all the fashion stops. The VMAs take place on Tuesday 12 September, as fans and fellow performers celebrate the best music videos and artists of the year. The official ceremony is scheduled to air live from the Prudential Center in Newark, New Jersey, beginning at 5pm PST/ 8pm EST. Returning as the VMA host for the second year in a row is Nicki Minaj, who will also be performing. Cardi B and Megan Thee Stallion are also set to perform, along with Demi Lovato, Olivia Rodrigo, Doja Cat, Fall Out Boy, Karol G, Kelsea Ballerini, Måneskin, Reneé Rapp, Shakira, Sabrina Carpenter and Future. Taylor Swift is also set to make an appearance, as she leads this year’s nominees with eight nods. While many viewers are looking forward to show-stopping performances from their favourite artists, the VMAs has also been known for pulling out some memorable fashion moments, such as Lady Gaga’s iconic meat dress. Here’s all the best dressed artists on the 2023 MTV VMAs red carpet. Olivia Rodrigo Olivia Rodrigo dazzled in a low-cut silver column dress. She styled her long hair brown straight, with a center part. Doja Cat Doja Cat wore a barely-there, white Apocene dress that closely resembled spider webs. The look featured sparse, white fabric draped across her body, with a pair of nude underwear hidden underneath the ensemble. She paired her red carpet fashion with see-through heels, diamond drop earrings, and silver bracelets. Read More What time does the 2023 MTV VMAs start and how to watch? Taylor Swift and SZA lead 2023 MTV Video Music Award nominations MTV Video Music Awards return Tuesday, with an all-female artist of the year category Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Fashion executive and breast cancer survivor uses her NYFW show to raise awareness Blake Lively fans wowed by Seventies-inspired gold jumpsuit at New York Fashion Week

One brand creator used her runway to raise awareness for breast cancer and encourage women to support their bodies during this year’s New York Fashion Week. As a breast cancer survivor herself, Dana Donofree, who was diagnosed at 27, previously struggled to find the perfect fit when it came to intimates after her mastectomy. The mold and structure of “regular” bras were not only incompetent but seemingly “awful” and “ugly,” according to the designer. That was until she developed the perfect configuration for her own brand, AnaOno. Speaking to Elle, Donofree recounts how her former frustration with limited lingerie options led to the launch of her company. “After removing both my breasts to treat my disease and reconstructing them, I found that ‘regular’ intimates no longer fit. What was available to me instead were these awful, ugly, matronly bras,” she explained. “I knew that we could do better! Women undergoing cancer treatment are already dealing with so much. They don’t also need to deal with hating their clothes. So I started figuring out a solution.” A designer and innovative problem solver, Donofree examined the necessary fit for the recovery stages associated with breast cancer survivors who’ve endured implants, mastectomies, and unilateral removals. No matter how far along a woman is in their individual journey post-diagnosis, AnaOno offers a range of picks from nighties to breathable leisurewear. “Something I’ll never compromise on is absolute inclusion,” the creator continued. “Whether you have two breasts, one breast, no breasts, or new breasts…we’ll make it work for all of it.” With that being said, Donofree ensured her size range varied, with the largest available option being a 3X. Donofree’s desire to design her brand supporting breast cancer survivors was also about inspiring other women, through a fuse of agency, style, ease, and motivation in keeping a healthy body and mind. This also meant straying from the “pink-washing” that is often associated with the disease. The fashion executive noted: “As a survivor myself for 13 years, I can say that there have been times when I’ve been really mad at the ‘pink-washing’ of breast cancer awareness. It felt very exploitive to me, you know, to have your pain and ‘resilience’ put in a marketing campaign!” And that’s exactly what she avoided in this year’s runway display during fashion week in the Big Apple. Inside a Lower East Side church, Donofree’s show titled “(R)Evolution” unfolded negligee versatility to promote properly fitting garments and breast cancer awareness. “I didn’t want to abandon the use of pink altogether, because breast cancer research and awareness saves lives. If we can impact research and find more ways to treat this disease, we can get more time with the ones we love,” the fashion mogul remarked. “And if we can impact awareness, we can ensure people get diagnosed as fast as possible, which leads to many more treatment options.” “We’re finally awakening to the fact that cancer and disease is an issue that’s linked to pollution and environmental damage,” she continued. “Fashion as a whole needs to accept responsibility to create a better earth and healthier humans, because what touches your skin gets absorbed by your skin. Using quality fabric matters a lot to me, and to other fashion designers. And it also matters greatly to cancer patients.” Donofree enlisted the help of #CancerCulture, a patient-led nonprofit organisation dedicated to spreading awareness in creative avenues, to co-produce the show. The brand’s display will also lead to a donation of $25,000 to the Breast Cancer Research Center, with hopes to reach a larger sum of $50,000. In Donofree’s experience, she’s concluded that the right bra will lead to “a better life”. “It’s not just about your body – it’s about your story,” AnaOno’s website reads. “No matter who you are, no matter your story, we believe you should have a bra that fits your unique shape.” Read More Ralph Lauren, a son of the Bronx, takes over Brooklyn in lavish return to NY Fashion Week Proenza Schouler debut effortlessly cool looks at NYFW Tory Burch deconstructs classic style in new NYFW collection Linda Evangelista says she views breast cancer scars as ‘trophies’ after mastectomy Cancer cases in young people ‘are rising’ – the warning signs to look out for Linda Evangelista says she was diagnosed with breast cancer twice within five years

Blake Lively has been widely praised for the bold look she wore to mark her return to New York Fashion Week. The actor has been a mainstay at fashion events throughout her career, from attending runway shows to wowing fans with her ensembles on the red carpet. On Monday (11 September), the former Gossip Girl star further cemented her credentials as a style icon while attending the Michael Kors Spring 2024 show at Domino Park, Brooklyn. Lively, 36, wore a flared, floor-length nude jumpsuit with gold sequins, completed with a narrow beige belt. Her hair was styled in curls with a centre part, and she kept her accessories simple with a few statement rings and hooped earrings. In photos from the event, Lively is seen sitting front row beside former Grey’s Anatomy star Ellen Pompeo. Lively’s disco aesthetic was fitting with the late Sixties and early Seventies theme of the Spring 2024 show. Her attention to detail did not go unnoticed by fans “Gold was inspired by Blake Lively,” one person wrote on Twitter/X, while another crowned her the “ultimate disco queen”. In May, the A Simple Favor star skipped attending the Met Gala, an event she is usually a reliable presence at and co-chaired in 2022. After confirming her absence, she shared an Instagram Story revealing that she spent the evening pumping breast milk. Lively gave birth to her fourth child with fellow screen star Ryan Reynolds in February. Their elder daughters were born in December 2014, September 2016 and October 2019. Speaking to ET Canada in April, Reynolds, 46, spoke about expanding their family and the difference between having four children. “You know, two to three was a huge jump…three to four less so,” he said. “I cannot speak for my wife, but it’s just from what I’ve observed. But, we love it. You know, we would be idiots to do this again if we didn’t love it.” Lively’s next on-screen project will be the highly anticipated adaptation of the bestselling Colleen Hoover novel It Ends With Us. When the first pictures from behind the scenes spread online in May, fans were divided on their thoughts on whether Lively and co-star Justin Baldoni looked like the lead characters they’d envisioned. Read More Sarah Burton to leave Alexander McQueen after 13 years as creative director Breakfast at Burberry’s: Fashion house launches collaboration with London café How Burberry evolved from humble raincoat maker to luxury fashion giant Young people not snowflakes or wasters, says curator of rebellious fashion exhibition Sarah Burton to leave Alexander McQueen after 13 years as creative director Heidi Klum hints at her ‘really extra’ 2023 Halloween costume: ‘Going to be good’

Heidi Klum is prepping for the debut of her own creation – her 2023 Halloween costume. From a flesh-eating alien to Fiona and a sparkly firework, the 50-year-old supermodel not only stunts on high-fashion runways but on the red carpet for the spookiest night of the year. It’s safe to say Klum’s love for dressing up isn’t just haute couture. She’s a costume enthusiast as well, and the mother of three is already preparing to assume her character for this year’s Halloween celebration. The America’s Got Talent judge spoke to the MailOnline last week while taping for the show, where Klum hinted at her outlandish costume plans currently in the works. “It’s going to be extra. It’s going to be really extra. I have had sleepless nights over it, you know me,” she confessed. “I have to admit, I love it. And then my gut, I feel like it’s going to be good.” Last year, the German businesswoman shocked spectators by dressing in an all-too-realistic worm get-up, which took two years to make. Only the fashion mogul’s eyes peered through the thick and slimy coating of the cylinder costume. Speaking to the MailOnline, Klum admitted her team conveyed the same concerns over her desired look for this year as they did with her 2022 worm attire. “They were like, ‘A worm, really?’” Klum recalled in conversation with the outlet. “They kind of wanted me to think of a plan B and a plan C, but I’m not like that. For me, it is plan A.” “If you are thinking of all different other things, then it’s not going to be a success or it’s not going to be that major,” she continued. “Everyone around is always like: ‘Think of something different. This is crazy. And the worm is crazy.’” Though Klum’s been known to incorporate her husband and children in the storyline for her 31 October looks, she revealed her 2023 appearance will be a solo act. She admitted: “I never know if it will be good until the day, and I don’t want to let my Halloween fans down. There are so many creative people around the world and I don’t want to let them down.” The TV host has known her costume would only involve herself since 1 November last year, as that’s when she typically starts planning for the following year’s holiday. “When I wake up tomorrow, I start thinking of the next [costume],” Klum told People at her 2022 party. Klum’s bubbly textured invertebrate costume followed her intricate Zombie look and 2020 toilet paper mummy. The producer gravitates toward heavy makeup and facial reconfiguration for accuracy in every character. She’s rarely recognisable on the day, except for her eyes piercing through the thick mask made to look animated for every character. However, the style enthusiast took a break to seemingly celebrate herself in 2016, when she dressed as a Victoria’s Secret angel. Not only did Klum wear a renowned runway look from the intimates brand, but she convinced a squad of other women to mimic her look and reconstruct their facial features to look like her. In 2013, Klum decided to hit the fast-forward function on time and dressed like an old lady. The immaculate prosthetics, which included a wrinkled collarbone and varicose veins lining her neck, crafted a look so realistic that you’d think she was many years past her age - and not the then 40 years old that she was. Read More Heidi Klum denies she counts calories after facing backlash over reports she only eats 900 calories a day Heidi Klum’s model daughter Leni shows off grisly burn after admitting she ‘didn’t use enough sunscreen’ Heidi Klum opens up about her and husband Tom Kaulitz’s 16-year age gap 11 best kids’ Halloween outfits that will scare and delight 9 best horror stories to read this Halloween and beyond Kourtney Kardashian’s skeletons and other celebrity inspiration for Halloween

Sarah Burton is set to leave Alexander McQueen after serving as creative director for 13 years, the brand has announced. Burton, 49, was appointed to the role in 2010 following the death of Lee Alexander McQueen, having worked alongside the designer for 14 years. She was responsible for the creation of the wedding dress worn by the Princess of Wales, when she married Prince William in 2011. “I am so proud of everything I’ve done and of my incredible team at Alexander McQueen,” Burton said in a statement. “They are my family, and this has been my home for the past 26 years. I want to thank Francois-Henri Pinault for believing in me and offering me this amazing opportunity.” The label’s spring/summer 2024 collection, due to be unveiled at Paris Fashion Week later this month, will be her last. “Above all, I want to thank Lee Alexander McQueen,” Burton continued. “He taught me so much and I am eternally grateful to him. “I am looking forward to the future and my next chapter, and will always carry this treasured time with me.” François-Henri Pinault, chairman and CEO of parent company Kering, said: “I am immensely grateful to Sarah, and I want to personally thank her for her work over the past two decades, first alongside Lee Alexander McQueen, where her role was instrumental to his success, and then as the Creative Director since 2010. “Through her own experience, sensitivity and talent, Sarah continued to evolve the artistic expression of this iconic house. She kept and continued Lee’s heritage, attention to detail and unique vision, while adding her own personal, highly creative touch.” Gianfilippo Testa, CEO of Alexander McQueen, added: “We would like to express our immense gratitude to Sarah for writing such an important chapter in the history of the Alexander McQueen House. “Sarah’s contribution over the past 26 years will leave an indelible mark.” A new creative organisation will be announced in due course, the brand have said. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Sarah Burton to leave Alexander McQueen after 13 years as creative director What happens at a sexual health check-up? 9 arthritis myths we all need to stop believing