As symbolism goes, a fall TV season whose highest-profile new series is "The Golden Bachelor" -- a retirement-age seniors version of ABC's dating franchise -- is a pretty good metaphor for a network TV business that was already fading into the sunset, and risks getting there that much faster because of the twin writer and actors strikes.

Less than 10 days before Balmain’s spring/summer 2024 collection is scheduled to hit the runway for Paris Fashion Week, over 50 of the brand’s debut pieces were allegedly “hijacked” and stolen. On Saturday, 16 September, Olivier Rousteing, the Parisian fashion house’s 12-year creative director, took to Instagram to announce the garment crime. The 37-year-old explained how he’d arrived at the office by nine in the morning, anticipating the arrival of the last few designs for their upcoming show. However, he received a call from the driver meant to transport the pieces from an airport in Paris to the Balmain headquarters. The individual confessed that his vehicle had been overtaken, resulting in the theft of more than 50 looks. “Our delivery was hijacked. The camion got stolen. Thank god, the driver is safe,” Rousteing wrote. “So many people worked so hard to make this collection happen. We are redoing everything but this is so so disrespectful.” “This is so unfair. We will work more, days and nights. Our suppliers will work days and nights as well, but this is so disrespectful,” he continued. “I wanted to share this with you to remind you, don’t take anything for guaranteed and please be safe. This is the world we are living in.” The details surrounding the incident, such as the airport location and hijacking time, were not released. Executives flocked to social media, discussing the unheard-of tragedy with their followers. Bernard Garby, luxury client manager at Harper’s Bazaar, Elle, and Esquire, discussed the news on TikTok and described it as “a real fashion drama”. “What happened is something I’ve never heard ever before,” the fashion expert, known to deliver industry recaps every morning, said. Bernard carefully described the unfortunate impact this incident leaves on the brand with a collection debut scheduled for 27 September. “It’s basically a pure robbery,” the famed user proclaimed. “I have never ever heard of anything like that before... They have less than 10 days... How stressful!” Additionally, Bernard made a point to connect this alleged robbery with that of Kim Kardashian on 3 October 2016, when the reality TV star was tied to her hotel bathtub while five men stole her jewellery from the room. Speaking to David Letterman in 2020, Kardashian recounted the traumatising experience. “He grabbed me and I was wearing a robe and I wasn’t wearing anything under it,” she recalled. “He grabbed me and pulled me towards him but I wasn’t wearing anything underneath. So I was like, ‘OKay, this is the time I’m going to get raped. Just deal, it’s gonna happen.’” @bernardgarby Today's Fashion News: Daniel Lee's Spring / Summer 2024 collection for Burberry and fashion drama at Balmain! #fashionnews #TikTokFashion #fashion #fashiontiktok #fashiontok #burberry #balmain #bernardgarby ♬ original sound - BERNARD “Just prepare yourself.’ So I did... But then he tied me up with handcuffs and zip ties and duct tape,” she noted. Bernard ridiculed Paris in his video, telling the city to “fix your situation down there”. He added: “It’s just not a good image. I am meant to be going to Paris for the Paris Fashion Week as well and I can tell you because of this news around Paris, Paris is really ruining its reputation. And it’s not looking good. I don’t feel safe going to Paris anymore. So you need to fix it.” The Independent has contacted Balmain and Bernard for a comment. Read More London Fashion Week 2023: All the highlights from day two London Fashion Week: Jourdan Dunn walks in emotional Richard Quinn show British Vogue appoints Chioma Nnadi as Edward Enninful’s successor British Vogue appoints Chioma Nnadi as Edward Enninful’s successor Naomi Campbell recalls racism she faced early on in modelling career V&A’s Coco Chanel exhibit doesn’t shy away from designer’s Nazi ties – review

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Naomi Campbell has reflected on the racism she faced early on in her modelling career. The supermodel, 53, spoke about some of her experiences in the fashion industry in the upcoming Apple TV+ documentary, The Super Models, which also features modelling legends Cindy Crawford, Linda Evangelista, and Christy Turlington. During one episode of the show, which will premiere on 20 September, Campbell reflected on growing up in the UK, beforing moving to the US when she was still a child. According to US Weekly, she said that although she experienced racism as a child, such as when she was five years old and someone called her a racist word, she didn’t let it affect the way she viewed herself. “I wasn’t going to accept being bullied at school for the colour of my skin,” she said. “My mother was paying my school fees just like everybody else. I had every right to be there, so take your bullying somewhere else, is how I felt.” Campbell also added that when she moved to New York to pursue modelling, her mother had a few reservations about it. “At the time, modelling was kind of looked down on in my family. My mother had no idea I was doing any of it,” she said, before noting that she still followed through with her career. She further detailed that, once she got involved in the fashion industry, her mother warned her about the racism that exists in America, as well as the prejudices towards people of colour in the southern parts of the country. With those aspects about racism in mind, Campbell became aware of how hard she’d have to work in order to feel comfortable in her career. “I started to understand culturally that I was going to have to work really hard to feel accepted,” she said. “There was no way I could go back home with my tail between my legs … I was going to go harder and further.” Per US Weekly, the Apple TV+ show continued with Campbell recalling some of the stereotypes about people of colour that she witnessed as she adjusted to living in New York City during the 80s and 90s. She shared a specific experience when she and Turlington were getting into a taxi cab, and the driver appeared to assume that she lived in Brooklyn because she was a Black woman. “I would put my hands out many times on New York City streets, and the taxis would fly by,” Campbell recalled. “Then Christy would put out the hand and they would stop. The guy would be like: ‘I don’t want to go to Brooklyn,’ and I’m like: ‘I’m not going to Brooklyn.’ I was just like, why is he saying that? It didn’t strike me until, you know, Christy would have to stand out in front of me, get me a taxi to get it to work.” Campbell then shared how her friendship with Turlington grew over time, noting that they lived together throughout the early days of her career. Additionally, Evangelista also expressed how she tried to advocate for Campbell when the British model was discriminated against because of her race. “Naomi wasn’t always booked to do the shows,” Evangelista said. “I didn’t understand. Naomi, I thought, was more beautiful, had a much more rocking body than I did and a better strut. [I was] like: ‘Why aren’t they booking her?’ I said to them: ‘If you don’t book her, you don’t get me.’” This isn’t the first time that Campbell has opened up about the racism she faced at the start of career. In a personal essay for CNN Style, published in 2021, she praised Evangelista and Turlington for being “really supportive,” as she “wasn’t being booked for certain shows because of the colour of [her] skin”. “For whatever reason, those designers simply didn’t use Black girls; I didn’t let it rattle me. From attending auditions and performing at an early age, I understood what it meant to be Black,” she wrote. “You had to put in the extra effort. You had to be twice as good.” She emphasised that she was “lucky to have Linda and Christy stand up” for her, describing how they told designers that “if they wanted to have them in their show”, they had to book Campbell as well. “That kind of support was unheard of. I will be forever touched. When I got to walk in those shows, I felt a huge sense of victory, but also gratitude,” she added. Campbell also acknowledged what she’s learned from both her success and the racial prejudices she’d faced throughout her career. “I have had my challenges as a Black model, but in many ways I feel like one of the lucky few. If my career has taught me anything, it’s that you can always turn prejudice around, that you should never give up,” she wrote. “Racism is just ignorance.” Read More From Naomi Campbell to Hailey Bieber: All the top models and celebs in Victoria Secret’s new Icons campaign Cindy Crawford says her father initially thought modelling ‘was another form of prostitution’ Linda Evangelista says she still gets botox after CoolSculpting procedure that left her ‘disfigured Celebrities mingle with royals at glam Vogue World party in London Sienna Miller bares baby bump at celebrity and royal-studded Vogue event How Burberry evolved from humble raincoat maker to luxury fashion giant

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Visitors to Paris will soon be able to explore the former home of French singer and actor Serge Gainsbourg, which has been preserved as a time capsule since his death three decades ago.

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Chioma Nnadi has been appointed the head of editorial content at British Vogue, succeeding outgoing editor-in-chief Edward Enninful. Enninful, 51, resigned from one of fashion’s most coveted jobs in June, triggering months of speculation over who would replace him. London-born journalist Nnadi becomes the first Black woman to be appointed editor-in-chief of the magazine, as Anna Wintour praised her as “an editor and writer with an impeccable reputation”. Announcing Nnadi’s appointment on Monday 18 September, Wintour said: “Chioma is beloved among her colleagues at Vogue, and is an editor and writer with an impeccable reputation – both here and in the fashion industry at large. “I’m so grateful to Edward Enninful for everything he’s accomplished at British Vogue, and we’re all looking forward to a productive and creative relationship with him in his new role. “I can’t think of a more worthy person to follow in his footsteps than Chioma, who has proven herself adept at speaking to our digital audience and has found ways to extend Vogue’s reach, authority, and influence across all of our platforms. “She is passionate about fashion, music and culture, and I couldn’t be happier that she will be leading our editorial and creative teams in London.” Nnadi said: “I’m beyond excited and honoured to have been appointed as British Vogue’s Head of Editorial Content. As someone who was born and raised in London, the energy of the city – its boundary-pushing style and creative scene – has shaped the way I look at the world. “Now, more than ever, it feels like a moment to look beyond borders while also celebrating the broad scope of what it means to be British. I’m looking forward to engaging a loyal and inspired digital community that is energised by our access, point of view, and storytelling.” Enninful, whose reign as head of editorial content comes to an end after six years, praised Nnadi as a “brilliant and unique talent with real vision” in a statement. “I am so thrilled that Chioma is joining British Vogue - she is a brilliant and unique talent with real vision, who will take the publication to ever greater heights, he said. More to follow... Read More V&A’s Coco Chanel exhibit doesn’t shy away from designer’s Nazi ties – review How the fashion industry fell out of love with heels How to do ‘The Meghan’ in seven easy pieces

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