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A kind of refined beauty, made up of draped pearls, mod suits, and tiered frill, formed what we know to be Princess Diana’s bespoke wardrobe through the 80s, while a modern elegance juxtaposed with a bit of casuality took hold of her 90s apparel. In general, the icon, famed for her charitable actions and discernible humility, inadvertently left a lasting impression as the archetype for understated luxury, and Elizabeth Debicki’s renewed role as the “people’s princess” in season six of the Netflix special The Crown, captures that very sentiment. Back with the first four of the final episodes, The Crown has offered a fictionalised behind-the-scenes take on the royal family’s history from Queen Elizabeth assuming the throne in season one all the way up to Princess Diana’s devastating death in season six. And though the actors’ portrayals of each figure are meant to leave stylised impressions of their personalities, their costumes have left viewers with an all-too-realistic picture. Amy Roberts and Sidonie Roberts, the show’s wardrobe designer duo, have worked to fit each actor in garments representative of emblem outfits seen on the royals over the years – Debicki’s assumption of Diana being markedly authentic. The Roberts pair did not fault in the first half of season six, which released on 16 November, dressing Debicki in identical replicas of Diana’s ensembles in the summer of 1997. In the first episode, Diana is pictured on holiday in St Tropez. The Catherine Walker red dress seen on the actual royal on that very same trip is extremely similar to the one seen on Debicki. Between the high, square neckline – very depictive of 90s style – and the double, gold buckle waist belt, Debicki’s costume is almost an exact match for the Walker original, with the exception of the fabric shade. Diana’s was a more of a coral red with a hint of orange to make the hue a less potent ruby. However, in the show, the sophisticated shift garment is pinker. But the massive gold clip-on earrings worn by Debicki look exactly like the real ones. Because the season majorily recounts Diana’s time in the Mediterranean with her boyfriend Dodi Fayed, just before her untimely death, Amy and Sidonie were tasked with dressing Debicki in the many one-piece swimsuits Diana wore that summer. “There were lots of swimsuits on Diana this year,” Sidonie told Harper’s Bazaar ahead of the release. “She’s wearing them for four episodes – in fact, the majority of her outfits on her rail for this season were swimsuits.” Diana’s actual leopard print halter-neck, made by Gottex Swimwear, was re-released by the company, therefore allowing the show’s costume to be the exact style and design seen on her. But of Diana’s more illustrious waterproof wear, was her low-back light blue suit worn on Fayed’s yacht. Not only did Debicki favour this particular one-piece out of all her wardrobe changes throughout season six, but the designer pair were especially determined to do the bodysuit justice – which they did. “That blue swimsuit is so iconic,” Sidonie remarked. “That image of her, what we call ‘walking the plank’ and sitting at the end there, it’s so iconic that I think for an actor when they’re in that, it makes them feel completely in their character.” Each swimsuit seen on Debicki in season six came from Gottex as Diana donned the brand repeatedly. On shooting in the shimmery, aqua-coloured piece, Debicki noted: “There was just something about that swimsuit and recreating that moment that felt very sacred and important, and it was very important we got it right.” “It’s as close as possible to the real imagery and yet what I get to do as an actress, kind of enter into that space, which all the things around it feel so accurate, and then I get to discover what’s emotionally in that moment,” she told Harper’s Bazaar. The first four episodes of The Crown season six are now available to watch on Netflix. Read More How Princess Diana’s The Crown season six outfits compare to her actual wardrobe Fans react to most ‘heartbreaking’ scene in The Crown What’s fact and what’s fiction on The Crown season 6? The story of Dodi Fayed - Princess Diana’s last partner The story of Kelly Fisher, Dodi Fayed’s model ‘fiancé’ he dated alongside Diana Did Princess Diana really confront the paparazzi in Saint-Tropez?

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Snoop Dogg has announced that he is giving up smoking weed. In a recent Instagram grid-worthy post to his 82.4m followers, the 52-year-old rapper - whose real name is Calvin Cordozar Broadus Jr - broke the news to his fans. "After much consideration and conversation with my family, I've decided to give up smoke. Please respect my privacy at this time," the text on the image read. For the post caption, he simply added: "I’m giving up smoke," not revealing the motivations behind this decision. Fans have been sharing their reaction and support in the comments section. One person said: "I mean look. The guy has smoked more j’s and blunts than anyone on the planet. He’s prolly smoked more than anyone has or ever will. It’s actually not surprising when I think about it that way." "Mind over matter you got this," another person wrote. A third person replied: "Bruh.. it is NOT April yet." "His official blunt roller on the market for a new gig," a fourth person commented. Someone else added: "I gave up marijuana a year ago.. it feels good and I feel healthier. Good luck on your journey." Snoop Dogg is famously known for his love of smoking weed, he appeared to have a puff ahead of his Super Bowl performance last year and had fans desperately to fill his blunt roller vacancy. He even has a cannabis-focused digital media platform called Merry Jane which he launched in 2015, while last year Snoop Dogg also invested the THC-infused savory snacks called TSUMo Snacks. Some are convinced this recent announcement is a publicity stunt for a possible edibles business. One person said: "He about to change the edibles game or something." "I know a 'I’m doing edibles now' post when I see one," another person wrote, while someone else added: "Edibles it is!" Back in 2013, he revealed in a Twitter Q&A that he smokes up to 150 blunts per day - a number similar to the one Snoop Dogg's personal blunt roller Renegade Piranha estimated. "On average, I do about half a pound a day, which seems excessive. So that's roughly like 75 to 150 units per day. I calculate it at over 450,000 blunts," Piranha said last year. However, the Drop It Like It's Hot rapper did deny this claim though in an Instagram post where he screenshotted the stat and wrote in the caption: "The bitch is conning u man." Meanwhile, Snoop Dogg has previously shared how he's lowered his weed intake since becoming a grandfather. 'Being a grandfather has changed me in multiple ways,' he told DailyMail.com in March. 'The main way is being concerned with how I live, how I move, the kind of people I’m associated with because I want to see my grandkids grow old. "The only way I can do that is to take precautionary steps as far as how I move, who I hang out with, where I go out, my intake, what am I intaking? "Am I doing extra-curricular or am I just doing what I’m supposed to be doing?" How to join the indy100's free WhatsApp channel Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Prince William has been named the sexiest bald man alive, according to a new study based on Google searches. Marketing agency Reboot conducted the study by looking at how many times the Royal had been searched for, alongside the words “shirtless” or “naked”. They also analysed celebrities’ heights, net worths and how shiny their scalps are to come up with a total “sexy” score out of 10. William topped the list with a 9.88, closely followed by actors Vin Diesel and Jason Statham, who excelled on search result scores and the “shine factor” of their heads. Samuel L. Jackson came fourth and businessman Jeff Bezos (no, really) came fifth, with his immense net worth of $168bn pumping up his score. In sixth place came former basketball player, Michael Jordan, who is officially the sexiest bald sports star of 2023. With a height of 6 ft 5 and the highest net worth of sport stars on the list, at $2.6bn, it comes as no surprise that MJ, in all his bald glory, is seen as seductive, study authors said. The top 10 and their respective scores are as follows: Prince William – 9.88 Vin Diesel – 8.81 Jason Statham – 8.51 Samuel L. Jackson – 7.31 Jeff Bezos – 7.12 Michael Jordan – 7.95 Dwayne Johnson – 6.90 Shemar Moore – 6.75 Shaquille O’Neal – 6.50 Terry Crews – 6.32 How to join the indy100's free WhatsApp channel Sign up to our free indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

A Canadian startup raised $55 million from venture capital firms and governments to begin a carbon-capture plant in

Taylor Swift fans are always sleuthing for the next Easter egg so it was only a matter of time for Swifties to delve into Travis Kelce's old tweets. The pop star and NFL player are headline news as the pair have been dating for the past three months, with Swift attending Kansas City Chiefs games, Kelce going to Swift's recent shows in Argentina where she gave a shoutout to "the guy on the Chiefs," during her performance of Karma and their very public post-show kiss. So Swifties have taken a deep dive into Kelce's old tweets which are over a decade old, and like with most celebs whose old posts resurfaced there are some entertaining comments from their younger self. But also other negative tweets have been discovered which fans have slammed as ableist, misogynistic, and fat-shaming. Here's a glimpse at Kelce's past thoughts when he was feelin' 22 (and 21). He was at one with nature and animals, despite misspelling squirrels. What time is it? We can all relate... but what is Kelce tweeting from? Treating Twitter as a diary/calendar back in the day, and he misspelled the restaurant name Chipotle as “Chipolte.” Expressing his love for Olive Garden is pretty relatable and the restaurant chain even recently replied: "It's a love story, baby just say 'when.'" In a since-deleted tweet, Kelce wrote: "happy easter to all!!! #shoutout to Jesus for takin one for the team.... haha." However, fans have also spotted and highlighted some problematic tweets from Kelce. Most of these tweets appear to have since been deleted, while the gossip subreddit r/FauxMoi has shared an example of one. One tweet read: "Haha just caught myself judging every person that walked past me whether they were ugly, fat, funny looking, sexy haha I'm trippin." “As a man, You have something wrong with you if your going for girls that weigh more then you!!” another tweet from Kelce read, as per Daily Beast. A third used an ableist slur in his reply: "they slow as hell cuz there parents have been talkin to them like they were re**rded since they were babies.” People have been sharing their thoughts on the matter, and it has provoked mixed opinions. One person said: "He was 21-22 then. Hopefully, he's grown up." "I mean… how do such famous people not even think to have their teams go through and scrub their Twitter," another person wrote. Someone else added: "People in these comments acting like misogyny, fatphobia, and ableism aren’t that big of a deal are weird as hell to me." "Why is everyone clamoring to assume he’s changed?" a fourth person asked. How to join the indy100's free WhatsApp channel Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Every so often, when I’m in the grips of extreme procrastination, I scroll back through the old photo albums on my near-dormant Facebook account. Their titles are a mix of forgotten teenage in-jokes and once-beloved song lyrics (no doubt a hangover from the Myspace era, before Zuckerberg). The pictures, captured on the digital camera that accompanied me on every night out, look a little fuzzy now, compared to the ultra-high resolution of an iPhone. But they’re still sharp enough that you can make out all the hallmarks of Noughties fashion in every group shot. There are battered pairs of ballet flats. String upon string of fake pearls. Slouchy off-brand Ugg boots. Hi-shine, high-waisted disco pants, reflecting back the flash of my Canon. More waistbelts than the average episode of Gok’s Fashion Fix. I can practically smell the frazzled scent of burning hair, straightened to a crisp. All very nostalgic, all very cringe, all now thankfully relegated to the big Topshop in the sky. Or so I’d naively thought. Fashion’s relentless trend cycle comes for us all in the end and this year, it seems, the nostalgia pendulum has come to rest somewhere around 2007. Bella Hadid and Emily Ratajkowski have been papped strolling through New York City in beige Uggs. A waistcoat is acceptable – even chic on a night out – no longer the sole sartorial preserve of Steve Arnott from Line of Duty. Its more practical cousin, the gilet, is also back, ready and waiting to keep your torso warm and your arms cold. Kylie Jenner is wearing disco pants, paired with going-out tops of indeterminate length. Most triggering of all? The discovery that beloved Scandi brand Ganni is now selling a high-fashion version of the sole-destroying ballet flats that teenage me wore until they fell apart (typically after about two months of continuous use). It was inevitable that the trends of my adolescence would get re-tooled for a new generation somewhere down the line – that’s just how fashion works. But I certainly wasn’t expecting it to happen quite so quickly, or to induce such a stomach-flipping sense of vertigo. It’s only been exacerbated by a clutch of that era’s cultural figures re-entering the public consciousness. Pete(r) Doherty, once the poet laureate of try-hard indie teens, is cropping up everywhere (“ARE YOU WATCHING PETE AND LOUIS THEROUX????” my lifelong best friend urgently WhatsApped me the other night, reminding me of my teenage Libertines obsession). Waistbelt-wearing, bodycon-loving pop legends Girls Aloud may or may not be reuniting (please make it so!) and, erm, Call-Me-Dave Cameron is making a return to frontline politics. It’s enough to make you feel like a portal to the past has somehow opened up, Doctor Who-style (naturally David Tennant, who played the Doctor in the latter half of the Noughties, is reprising that role later this year). Noughties fashion is having a moment on screen, too. Emerald Fennell’s new film Saltburn stars Barry Keoghan as Oliver, a working-class student at Oxford who is befriended by the aristocratic Felix, played by Jacob Elordi; Felix later invites his new pal to spend the summer at his family pile. It takes place between 2006 and 2007, and these fictional freshers dress in authentic period finery: the three “Js” – Jane Norman, Juicy Couture and Jack Wills – superfluous beaded necklaces and daffodil yellow LiveStrong charity wristbands. The latter, of course, were a rubbery tribute to now-disgraced cyclist Lance Armstrong, which, for some unfathomable reason, became a must-have. When they sold out online, we’d go to bizarre lengths to source one. I distinctly remember sending an envelope covered in first class stamps to a friend of a friend of a friend, then receiving a rubbery bracelet in the post about a month later. I had only a vague idea of exactly who Armstrong was, really, but I liked the pop of colour against my white “Make Poverty History” band. To nail this very specific period look, Saltburn costume designer Sophie Canale made “mood boards mainly of my friends drunk on Facebook as inspiration”, she recently told Women’s Wear Daily. She sounds like a woman after my own heart. And just like my friends and I, Fennell’s characters love a good pair of Uggs – or at least, Ugg-adjacent copycats. So devoted was I to my tan knock-off versions that 16-year-old me carried on wearing them almost immediately after undergoing a knee arthroscopy (fake Uggs and crutches – a real fashion statement). My physiotherapist was horrified – and for good reason. In 2010, the British College of Osteopathic Medicine put out a statement imploring teenage girls like me to ditch their poorly-made imitation boots, warning that the lack of foot support could eventually lead to wear and tear on the ankles, knees and hips. “Just because something becomes a trend or fashionable doesn’t mean it’s good or right,” the organisation’s then-head Dr Ian Drysdale warned. Wise words indeed – but if I’d heard them at the time, I’d probably have rolled my eyes and gone back to trying to find the perfect footless tights to pair with my fleecy shoes. Ballet flats, with their similar absence of support, were pretty terrible for your podiatric health too, but it was a sacrifice we were willing to make in order to look a bit like Kate Moss. Looking good could be painful: after attending one friend’s 16th-birthday meal, I had to go home and lie down in agony thanks to waist belt-induced indigestion. Of course, Mossy, the patron saint of Noughties style, was on Canale’s radar when it came to dressing Saltburn’s students. The costume designer tracked down styles from the model’s first fashion collection for Topshop, which would have been seriously hot property around the period in which the film is set. More than 15 years on, I still have near-perfect recall of almost every piece, because I wanted them so much: the silvery halter-neck gown, the red skinny jeans, the patterned shorts crying out to be layered over a pair of 60 denier opaque tights. I’m pretty sure those designs are probably seared onto my poor, long-suffering mum’s memory, too. Like some sort of mini Miranda Priestly, I sent her trawling round all the Topshops in the Liverpool City Region to try and find the sell-out pansy print tea dress from Kate’s line. Why didn’t I do it myself? Too busy stomping around Snowdonia, attempting to get a bronze Duke of Edinburgh award, having been gaslighted into believing that this would prompt paroxysms of admiration from university admissions staff. She never did find the dress, but I managed to get hold of one years later, when Moss re-released some of her greatest hits to mark her final Topshop collection. It shrunk to unwearable dimensions after a few washes, but I still have it hanging in my wardrobe like a tiny floral trophy. Perhaps one day I’ll sell it on Vinted to a Gen-Zer who can’t remember the Noughties but likes the retro aesthetic (I’d have to label it “worn, with minor fake tan stains”, though). But most likely I’ll keep hold of it. The clothes we wear when we don’t quite know who we are or what we’re doing with our lives are a bit cringe-worthy, yes, but they’re also strangely endearing. Much as the rational part of my brain might be horrified by its baffling silhouettes and bizarre accessories, I’ll always have a soft spot for Noughties fashion – just don’t expect to see me in a waistcoat any time soon. Read More Chris Pine defends his short shorts Balenciaga divides with release of ‘absurd’ $925 bath towel skirt Women’s scarves and crocheted ties - what is Robert Peston wearing now?